Tuesday, May 29, 2012
Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]
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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for that unrest? Katniss. And what's worse, President Snow has made it clear that nobody else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one of the most brought up books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended being a trilogy. Did it actually end the best way you planned it from your beginning?
A: Very much so. While I did not know every detail, of course, the arc from the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.
Q: We understand you worked for the initial screenplay for the film to become depending on The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?
A: There were several significant differences. Time, for starters. When you are adapting a novel in to a two-hour movie you cannot take everything with you. The story has to be condensed to suit the new form. Then you have the question of how best to adopt a novel told inside the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for the second and therefore are privy to all of her thoughts so you may need a way to dramatize her inner world and to generate it possible for other characters to exist beyond her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of situations are acceptable on the page that may not be on the screen. But wait, how certain moments are depicted may ultimately be in the director's hands.
Q: Have you been capable of consider future projects while working on The Hunger Games, or are you immersed inside world you get lucky and be currently creating so fully who's is simply too hard to take into consideration new ideas?
A: I have a few seeds of ideas floating around inside my head but--given very much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges i can begin to develop it.
Q: The Hunger Games is a yearly televised event in which one boy and something girl from each with the twelve districts is expected to participate inside a fight-to-the-death on live TV. Exactly what do you think the benefit of reality television is--to both kids and adults?
A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, in order that whenever they see real tragedy playing out on, say, the news, this doesn't happen have the impact it should.
Q: If you were made to compete inside Hunger Games, so what can you believe your skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to get hold of your rapier if there was clearly one available. But the facts is I'd probably get of a four in Training.
Q: What do you hope readers can come away with when they read The Hunger Games trilogy?
A: Questions about how precisely elements from the books could be relevant in their own lives. And, when they are disturbing, what you might do about them.
Q: What were some of your respective favorite novels when you were a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but on this occasion it can be for world control. While it is really a clever twist for the original plot, it means that there's less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels in charge of killing and at her motives and choices. This is surely an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and also the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also helps to produce the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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